HARDWOOD BLOOD CH.6 - THE OLD FASHIONED WAY

BLOOD ON THE CONCRETE HARDWOOD CH.6 - THE OLD FASHIONED

By Steven Novak

Kareem Abdul Jabar is lying dead at your feet. The damn dollywad munched a cyanide tablet to keep from yapping, but it really didn’t matter. You’ve already put the pieces together and you’re done playing games.

The ‘Trotters – they’ve been playing you like some goosed up house-dick in a hash-house packed with bees the entire time.

It’s time for payback.

You pop the empty cartridge from your rod and slide another in. A slug slips into the chamber. She’s purring like a kitten itching to spit a hairball full of lead. No more pawing for pancakes like some patsy peterman anxious for a pinch.

The best offense is a good offense.

“What the hell happened here?” It’s the Chief. He’s charging down the alleyway with his fist in the air and his belly bopping him in the chin.

By the time he reaches you, he’s out of breath. One hand drops to his knee and the other clutches his chest. A squawk of blue and blacks is already clogging the street behind him. They’ll figure out what’s going on soon enough. The seven-foot corpse of the NBA legend spread out in the filth behind you will make it real easy.

You need to get to the ‘Trotters before they do.

The Chief pokes his sausage finger square into your chest. “I want answers. Start singing.”

You brush the chubby digit aside and step around the Chief without so much as a word.

“Where the hell do you think you’re going? Walk away and you’re out of a job! Do you hear me?”

Reaching into your jacket you retrieve your wallet, remove your badge and toss it to the concrete. It’s useless to you now. Time to settle the score the only way you know how. Time to punch a few bad tickets right in the tickers.

The Chief steps on your badge, points at you and screams so loud you can feel the alley move beneath your feet. “Answer me damn it!”

The kitten at your side continues to purr. She’s quiet for the moment, but she’s anxious to scratch. “Answers are like assholes, Chief…everyone’s got ‘em, but only sickos and perverts are anxious to tear off a piece. Tell the boys in the morgue to dig out five fresh body bags…cause I’m about to fill ‘em.”

Snagging a set of keys from one of the gap-jawed hoosegows called to the scene, you hop into his car and peel away. You know exactly where you’re headed – Gino’s. It’s the place all this mush started and it’s the place it was going to end.

The trip across town takes less then fifteen minutes. The sun is already beginning to set and the locals are headed home. This city isn’t safe at night for the normals. If you aren’t packing heat, every joe and junkie looking for a little jack will have their way with you when the sun goes down. Around here the night is for the hardened and the hard, and the hatchetmen and the heels.

The night is for people just like you.

Your car screeches to a halt just outside Gino’s. Though it’s an hour past closing, the lights are still on inside. You snatch your purring piece of alabaster, pull it to your face and press your lips to the barrel.

Time do go to work, darlin’.

The instant you exit the car, you’re charging full speed at the front door to Gino’s. Suddenly the lights inside go off.

Damn it.

They’re onto you.

The windshield of your stolen squad car shatters. When you turn around you spot a basketball wedged in the glass.

Sons of bitches.

Another basketball bounces off your head, and another still smacks you square in the gut. You can’t breathe. Your legs go as wobbly as a plate of Gino’s famous spaghetti. A third ball knocks the heater from your hand and sends it spinning across the concrete. A pair of lanky mitts snatches your trousers and pulls them down around your knees.

Damn, Twiggy!

When you reach for the knife stashed in your socks, another basketball slams into your knee and bends it in a way knees aren’t meant to bend. Bone snaps in two, and a moment later you’re flat on your keyster. For a fraction of a second you make out what you think is Sweet Lou, ten feet away and grinning through a mouth full of the pearliest marbles this side of the Mason Dixon.

He launches another basketball into your forehead and suddenly you’re flat on your back.

The world goes blurry – like you’re seeing it through the eyes of some lazy number hopped up on nose candy. Five dark, undefined shapes are standing over you and looking down with their hands on their hips.

The sound of Sweetwater’s voice finds its way to your ear. “You’re an idiot. You know that, right?”

Your leg is throbbing. You have a feeling one of your ribs is broken. You shake your head in a desperate attempt to clear the cobwebs, but it’s not working.

“Seriously, man.” The blurry image of, Sweetwater continues. “The hat, the jacket, the fact that you don’t own a cell phone. Plus all that stupid shit you’re always mumbling about…leadfoots and hoosegows, and gams and jingle-berried jaspers…what the hell is a jingle-berried jasper anyway? You know it’s not nineteen twenty-four, right? You do understand you were born in the 80’s, correct?”

When you try to get up, Meadowlark puts his size eighteen on your chest, cracks another rid and returns you to the unceremoniously pavement.

Sweetwater sighs. “Fuck it. We’re doing you a favor.”

Your vision returns just in time to see all five of the boys lift their respective basketballs over their heads. The muscles in their arms tighten. Their heads reel back.

Though your mouth full of blood you manage to squeak, “It’s a hooch-drunk hombre.”

The boys pause.

“What?” Sweetwater asks, a look of absolute confusion spread across his mug.

“A jingle-berried jasper…” You stutter in response. “A jiggle-berried jasper is a hooch-drunk hombre.”

Sweetwater sighs.

Three seconds later a barrage of basketballs puts an end to your life.


Oops...Return to Chapter 8

HARDWOOD BLOOD CH.5 - CALL THE 'TROTTERS

BLOOD ON THE CONCRETE HARDWOOD CH.5 - CALL THE 'TROTTERS

By Debbie Davis

“I need a phone, Nancy, er, Clive,” you say, holding out your wing.

Clive’s eyes dart to the door his ninja-like mother just fled from before shrugging and handing you a cell phone. It’s large and looks like a brick, and you briefly ponder where the cord and suitcase is that goes with it. Your fingers are not easily accessible, dressed as you currently are, so you do the most natural thing in the world and use your beak to dial the number.

“Good evening,” a voice says on the other end of the phone. “Kentucky Fried Chicken, will your order be for pick up or delivery?”


You scream in horror and throw the phone at Clive’s head. He ducks. You miss.

His eyebrows furrow, and with his face all crunched up like that, you see a strong resemblance between him and his mother. Wordlessly and with a calm that warns of an impending storm, he picks up the phone and hands it to you.

You beak-dial again, praying you get the numbers right this time.

“What up?” Curly’s familiar voice answers. You are sure the cadence of his voice saving your ass is the sweetest sound you’ve ever heard.

“Curly,” you say. “It’s me.”

“Who is me?” Curly asks.

“It’s the boss.”

“Wrong number, my friend. We don’t have a boss. He quit. Said something along the lines of takin’ on more than he can handle. Went all jellyfish. A nancy.”


“I changed my mind,” you say with as much conviction as you can manage, which isn’t much.

“Curly!” Sweetwater’s voice thunders in the background so loud, your eardrum actually vibrates. “GET. THE. FUCK. OFF. MY. PHONE.”


“Gotta go,” Curly says.

“Wait!” You practically scream. “Please Curly, I didn’t mean to get all nancy on you. I’m sorry.” You feel a river of tears welling in your eyes just like the nancy you don’t mean to be. Chalk it up to the chicken suit, but you’re an emotional wreck.

You spend the next two hours telling Curly your problems as Clive listens on. You tell him that you never quite fit in at school, that your mother babied you far past the appropriate age of being babied, that your first real girlfriend cheated on you, that when you look in the mirror you see a balding, middle aged bachelor, even though you know you have body dysmorphic disorder.

Curly gently tells you that isn’t the body dysmorphic disorder.

By the time Curly agrees to get the boys together to collect you and you hang up, Clive is teary eyed also and holding his arms out for a hug. Much to your disgust, you step forward into his waiting arms. You’re still wrapped in their comfort when the door flies open so hard it almost splinters.

Sweetwater is waving something in his hand above his head frantically. It’s a piece of paper. He’s screaming like a depraved lunatic. “This is your fault!” He says.

You look behind him, trying to see Curly or the rest of the trotters, but it’s only Sweetwater.

You step away from Clive. “What are you talking about, Sweetwater?”

“This!” He screams. “My god damned phone bill. It’s more than I make in a year!”

You step forward to calm him and notice his eyes are devoid of any kind of connection to you. They’re glazed over with hatred. “Calm down,” you tell him. As you reach your hand out to grab the paper, Sweetwater goes all kung fu and the next thing you know his hands are wrapped around your neck. And squeeze so hard, you think your beak might burst.

You gasp to catch your breath and look into his soulless eyes. As you feel your life slipping away, you can’t help but think he’s got the worst roaming charges ever.

THE END

Oops...Return to Chapter 5

HARDWOOD BLOOD CH.3 - SWEAT OUT SOME ANSWERS

BLOOD ON THE HARDWOOD CONCRETE CH.3 - SWEAT OUT SOME ANSWERS

By Matthew C. Plourde

The broad from Different Happyness wasn't kidding; someone actually lived in those complexes beside the sewage processing facility. The smell here on those sweat-locker summer days must be as rancid as the Chief's daily swamp ass. Slowing down, you notice a few lights valiantly attempting to give the dilapidated apartments the semblance of civilized life. Even when you were desperate you had never lived in a place like this. At least, you hope you never would... good thing you refrained from popping the Chief.

Your rusty Ford Escort, with all 200,000 miles heaped upon its weary frame, shudders to inactivity and you sling your feet into a puddle. 

"Shit."

You sniff the acrid air and aren't certain the puddle is composed entirely of water. Did someone actually piss beer in the parking lot? 

Let's get this over with, you think as you approach the crooked apartment complex.

You light a cancer stick and inspect the scrap of paper again: Building 3, Apt 21. The cracked path winds behind the first complex and you see them. They beat you here and they are already on a basketball court.

Sweetwater notices you and trots in your direction.

"Where's my phone?" he asks.

You savor the moment by blowing a cloud of smoke in his face. Rocking on your heels, you smile.

"Give it up!" Sweetwater pleads as he reaches for your coat.

You push his hand away and produce the goods. "Simmer down, Nancy. It's right here. I only used it to call your mom and thank her for a great night last night."

Sweetwater snatches the phone and checks the device as he walks away, muttering to himself about someone's mother. Or, maybe it is some other phrase with the word "mother" in there. You didn't hear and you don't care.

You approach the scene with the rest of the team and groan.

"Are you guys really gonna play? Now?" you ask.

Twiggy does his one eyebrow up and one eyebrow down thing, bulging one eye comically, and says, "These kids think they can take us old men! You believe that?"

Curly slaps you on the back and says, "We'll be here if you need us for backup. Yeah, backup."

"Lousy, good-for-nothing..." You traipse off towards building 3, one hand inside your coat and your cig in your other hand.

Your ascent to the second floor via the concrete staircase is serenaded by the sound of bouncing basketballs and hoots. Unfortunately, the stench of the nearby sewage has now inundated your clothes. One more thing to throw onto the fire with your office chair. First, the pork-filled rage from the Chief, then the tiny flasher, and now the shitbox. 

This is going to be one long night.

You find apartment 21 and you realize the night just got longer: bogus address. Nobody lives in building 3. Only building 1 appears to be occupied.

"Fuuuuuuuuuuccck..." you whisper to yourself as you check to ensure nobody is around. Nope, it's all clean. Well, dirty, but empty.

"Arrrgghhh!!"

 

You pull your pistol and scan the area. The scream came from the basketball court. Rushing to the scene, you see Meadowlark clutching his ankle.

"It's just twisted," he says.

"I'll call an ambulance," Sweetwater says as he touches the screen of his phone.

Meadowlark limps to the grass and says, "I told you I don't need no ambulance! Put that shit away."

"Aiight."

Curly looks in your direction and says, "You find yer guy?"

You shake your head and reach for another cigarette.

"You gotta play, then," he says and you nearly spit your unlit cigarette from your mouth. "Hey, I got fifty bucks on this game!"

You examine the other team: youthful and muscled teens from building 1, no doubt. They grin as they inspect your squat, just-shy-of-300 pounds frame. God certainly designed you better for sitting in a car (or couch) and navigating the occasional staircase, not basketball.

"Go to hell, I'm not playing," you say.

Curly puts his lanky arm around your shoulder and says, "If you do, Sweetwater will look up that address on his phone. It can find all kinds of wacky shit. Like, say, who used to live there. Maybe your guy gave an old address and you can still find him?"

Damn. The 'Trotters know their crime, no mistaken that. The idea makes sense. Heck, you played basketball in high school. Well, you went to a few games. That's gotta count for something! Doc said you need to exercise more, so maybe this can count for the month. —year?

"Fine," you say as you remove your jacket.

 

You do your best to stay out of everyone's way. The game flows from one side of the court to the other and you jog to at least feign some interest. Luckily the ball never comes in your direction.

 

After a few minutes (hours?), you start huffing. The lasagna sits like a cinder block in your gut and you swear it tried a jailbreak more than once. Panting at the center of the court, you decide you are finished. Heart thumping. Sweat drenching. Knees shaking. Screw the Harlem Globetrotters for blackmailing you into this. Screw them all.

"Look alive!" Sweet Lou shouts. "We need this score!"

Your sluggish brain catches up with the action around you and you notice one terrifying fact: that Spaulding is headed right for you!

Somehow, you wrap your meaty fingers around the ball's bumpy surface and your arm erupts in pain. Did he have to throw so hard? Then, your eyes widen. Those young boys on the other team are streaking towards you!

Like a maniac, you try to dribble and run towards the hoop at the same time. You reign in the ball using two hands and pump your legs faster to try and avoid the inevitable clash of athlete vs. lasagna-lovin'-never-has-been. Exhilaration arrives when you realize you are going to get your shot before they reach you. 

You stretch skywards with the ball and collapse as your chest explodes in torrents of agony and ripping. You convulse and vomit some of the lasagna, though most of it just stays in the middle of your throat, stuck in traffic. Your chest constricts like someone is pulling your skin and bones from your spine. As everything tightens beyond your ability to remain conscious, you know what's happening. It's exactly how your father and grandfather died.

Before the world goes black you think you hear Sweetwater say "Heart attack!"

THE END

Oops...Return to Chapter 3

HARDWOOD BLOOD CH.3 - NO COINCIDENCES

BLOOD ON THE HARDWOOD CONCRETE CH.3 - NO COINCIDENCES

By Ryan Hunter

You stare down at the door mouse between the man’s legs. It’s like a car wreck, terrible to look upon but impossible to look away.

“What now?” Curly asks.

His voice shatters your reverie like a sparrow flying into a plate glass window. “Get a picture,” you say to him, looking away before you can be ensnared again by the siren draw of tiny junk.

“You need something to look at later tonight?” Twiggy asks.

“That’s cute,” you say. “Just for that, you fellows get to take Wee Willy Winky’s bare ass down to the station.”

“That’s nice,” Sweetwater says, pulling a cell phone out of his pocket and snapping a picture. “What’s your number?” he asks.

“What the hell do you need that for?” you ask.

“So I can text you the picture.”

“I’ve got a rotary sitting on my office desk, can you text to that?”

“You know I can’t text to that,” Sweetwater says.

You reach out and pluck the phone out of his hands. “In that case, I’m just going to have to hold onto this for a while.”

You walk down the alley away from the ‘Trotters. Sweetwater yells after you, “Man, you better not be using up my minutes. Don’t think I won’t be checking that bill.”

Without turning you offer him a one-finger salute as you tuck your heater back into its holster under your coat.

“And what are you going to be doing while we’re playing delivery boys?” Curly asks.

“What I do best,” you yell back to him as you turn out of the alley.

As you head back to the scene of the crime, you pull the brim of your fedora down low on your forehead, stuff your hands deep into the pockets of your overcoat and cast your eyes down to the sidewalk. The last thing you want is to be noticed snooping around the body.

Of course, with the circus of reporters, police and rubber-neckers milling around, you probably wouldn’t be noticed if you stripped bare and ran around the block jumping up and down. Actually, you think, that might be the only thing that would distract people from the excitement of a poor woman robbed of her life.

Still, you keep your eyes fixed on the ground, watching the litter dance around your feet. It only takes you a moment to realize there’s uniformity to most of the litter. White 1 X 3 cards have been sprinkled over the sidewalk like confetti after a parade.

You scoop one of the cards off the ground and examine it. It’s a business card for a place called Different Happyness. You arch an eyebrow at the Y in happiness and wonder if it was intentional.

The card is clean and smooth; it obviously hasn’t sat outside under heavy foot traffic for long. 

You tap the card absently against your palm, thinking over the events of the last few moments. A woman was killed scant feet from where you were sitting at dinner, most likely by the very person you’d just been hired to find. Then, when you went out to investigate, you were distracted by a small-penised flasher. It is possible that these are nothing more than a series of coincidences, but you’ve never been fond of coincidences.

You’re sure there’s something going on, and you think the road to answers just might begin with Different Happyness.

You turn your back on Gino’s, promising to never darken their doorstep again. It’s the same promise you made last night and the night before and every other night for the past five years, and it will likely be the promise you make tomorrow.

The lobby of Different Happyness is furnished nicely with a blend of wicker and watercolor. Musak pours out of speakers mounted in the ceiling and a woman sits alone behind a desk on the far side of the small room.

She looks up from her Vanity Fair as you enter. “Can I help you?” she asks.

“I hope,” you say, crossing to her while pulling Sweetwater’s phone from your pocket. You glance at it, expecting buttons, but all you see is a screen. You never had much to do with these contraptions, but you’d assumed there’d be buttons. You hold the phone out to the desk clerk. “You know how to work one of these?”

“Um,” the woman says, taking it from you and examining it. “Yeah, I guess. I mean, I have one like it.”

“Great, pull up the pictures, would you?” you say.

The woman pokes the screen a couple of times and, through some magical incantation or other, brings a picture up on the screen. It is not one you were expecting.

“Did you want this picture of the naked African American man hanging from a trapeze with one, two, three…six equally naked women?” the woman asks, her expression a blank.

“No, that’s not the picture I wanted at all,” you say, turning your head to look at the picture of Sweetwater and his harem from a different angle. 

The woman swipes her finger across the screen and another picture appears. “Perhaps you wanted this one of the same African American man with the same lack of clothing jumping through a ring of fire with what appears to be eight other women.”

“Nope, not that one either.”

She pulls up another picture and says, “What about the same man, same naked, what appears to be a baker’s dozen naked woman and a tiger?”

“Keep going,” you say, sighing and wondering what else Sweetwater has been keeping from you.

She continues, pulling up picture after picture of Sweetwater and his erotic, circus-themed orgies, each picture more disturbing than the last until, at last, she stops. “Oh my,” she says as she looks at the picture Sweetwater took of Wee Willy. For the first time her face shows emotion. “That’s Paul.”

“Paul?”

“Paul Nordic.”

“Paul No-Dick?” you say.

“Nordic,” she corrects. “But I suppose that would be appropriate.”

“How do you know him?” you ask.

“He works here.”

“And what exactly do you do here?” you ask, spying a jar of lollipops and grabbing one.

“We are an adult entertainment business specializing in… unique desires.” She nods to the picture on the phone in her hand. “Paul was a flasher. People paid him to run up to someone on the street, flash them, and then run away. He was very popular because, well… his presentation was memorable.”

“Yeah, I guess it would be hard to forget getting flashed by a Ken doll.”

The girl giggles behind her hand.

“So he was on assignment tonight?”

“Oh gosh, he must have been. Paul never moonlighted.” She giggles again and says, “No pun intended.”

“Mm hmm,” you say, not paying much attention to the conversation. If Paul was hired to be outside Gino’s, then he must have been there just to distract you. If he was there for you, somebody knows you’ve been put on the case. The only person who should know that, outside of the Trotters, is the Chief.

“Any chance you can get me the name of the guy who hired him?”

“Oh, I don’t know, I think that’s confidential,” she says.

“Look, your buddy could have been killed tonight,” you say.

“So he’s not dead?”

“Nah, he just took a Spalding to the place where he’s balding.” You wink at her at pop the sucker in your mouth. “But he could have, and I think the guy who hired him set him up.”

“Oh,” she says, flipping through a box presumably filled with records.

“How does somebody get involved in this line of work anyway?” you ask as she searches.

“Oh, different ways, some answer ads on the internet, some are referred to us by employs, some just come in off the street. I was sort of hoping you were coming in for a job; we have a request for someone with just your body type.”

You look skeptically down at your gut and then back at the girl. “Well, I’ve never been much for flashing,” you say.

“Oh, it’s not a request for a flasher. This job just needs someone in a chicken suit willing to Fetisherize.”

“What the hell is that?”

“Oh, it’s detailed in this manual,” she says, handing a booklet over the counter to you.

You take a moment to read it over, spitting your lollypop out halfway on the chance that it may have been involved in something like this. “Good God, why would anyone do that?”

“Flip the page.”

You do and you’re almost as shocked as you were when reading the Fetisherize description. “Five thousand bucks for one night?” you say.

“For one hour. If they want you longer, they have to pay extra.”

“Hmmm,” you say, flipping back to the description and reading it over again with a slightly broader mind.

The phone rings in the girl’s hand just as she pulls the name of Paul’s client out of her records box. She presses a green box on the screen and hands it over to you.

“Hello,” you say, hoping this thing works like the phones you can actually operate.

“Hey man,” Curly starts to say. 

Sweetwater yells in the background, “You know this is costing me minutes, make it quick.”

“Okay, shut up,” Curly says, obviously not to you. “We got naked-guy booked, what—”

Again Curly is cut off when Sweetwater yells, “And tell him not to be looking through my pictures. I’ve got… personal stuff in there.”

You’re not kidding, you think.

“All right, don’t look at his pictures,” Curly says to you. “Now, what do you want us to do next?”

Do you...

A. Tell the ‘Trotters to hang out at the station because you’re heading over to confront the chief about who else knew you were on the case?

B. Tell the ‘Trotters to meet you at the address of the guy who hired Paul so you can sweat some answers out of him?

C. Say, “Screw the case,” send the ‘Trotters home, and take the lucrative Chicken Suit/Fetisherize job?

HARDWOOD BLOOD CH.2 - CALL IT A NIGHT

BLOOD ON THE HARDWOOD CONCRETE CH.2 - CALL IT A NIGHT

By Mandy Ward

Sighing, you put yourself between Curly and the Flasher. “Don’t bother. He’s not worth the effort.” 

“What now?” Sweet Lou’s lip curls and he looks like that cur dog you ran past to get here.

“I asked you to help me find this bastard that likes to gut whores, so go and see what you can find ‘im.” You sigh again and whip out the handcuffs. “I’ll take this misshapen idiot into the station and meet you back at Gino’s in a couple of hours.”

The Sweetwater nods. “Sure. You need any help?”

Hauling the flasher up by the wrists, you snort. “You think I need help with him? Come on, I’m a cop, not a Meter maid.”

 

The Trotters laugh and lope off up the alley, already discussing how they’re going to proceed.

The Flasher groans and you suppress the urge to puke as you wrap his Mac around him and tie the belt up. “Come on. I’m arresting you on the charge of indecent exposure…” You drag him back the way you came reciting the Miranda in a low mutter, hoping that you can find a uniform to take him in so you can get back to some real police work. That sets you thinking about the case, and you lapse into silence.

Just before you reach the entrance to the alley, the flasher takes advantage of your distraction and pulls his wrists out of your hand.

“You want me, pig? You’ll have to kill me to take me in.” He stands there, garbage juice running off his Mac and stinking to high heaven. 

“Don’t be stupid. You won’t get more’n a slapped wrist for indecent exposure. Why would I want to kill you?” You step closer, trying hard not to breathe his breath, which smells like rotting meat.

“I won’t be going anywhere, Flatfoot.” He seems incredibly calm for someone trying to commit suicide. “You’ll have to put me in a body bag to get me anywhere near the station.”

You step closer. “I haven’t got time for this.” Grabbing at his wrists, you manage to catch the belt of his Mac, and it falls open again. You avert your eyes, but not before you catch sight of a change to his body.

“Go on Campo, take a good long look. It’ll be the last thing you ever see.” He thrusts his hips out at you, waving what had been a scar at you.

“What the hell?” You step backwards and find yourself up against a rusty dumpster.

The creep moves closer. “You want a taste of me, cop? Well I’m feeling good and generous tonight. I’ll let you sample my delights.” He slides his hands out of the cuffs and drops them to the floor as he moves in close enough that you can feel… it …brushing against your groin.

His eyes capture yours and you feel your will draining away as his mouth opens. “I’m gonna feast on you tonight, like you in that restaurant earlier. I’m gonna savour every last mouthful and I won’t need a knife and fork.”

There’s the sound of ripping fabric as it tears through your clothes and plunges into the plentiful flesh.

Pain erupts and you scream—just once, though, as his mouth comes down on yours and you feel something slide down your throat toward your chest.

His eyes are still boring into yours as he wraps himself around you and the last thing you hear is his voice in your head.

“You wanted to find the Body Ripper? Well congratulations, Filth… you did it!”

THE END.

Oops...Return to Chapter 2

HARDWOOD BLOOD CH.1 - HOTHEADED OLD GOON

BLOOD ON THE CONCRETE HARDWOOD CH.1 - HOTHEADED OLD GOON

By Steven Novak

The Chief is covered in sweat. His shirt is wrinkled, and the awful yellow stain of his pit juice is peeking out from underneath the crooks of his arms. He looks tired. He looks tired and beaten, and his face is more worn than the notoriously overcooked steaks at Rocco’s on the corner of 5th and Vine. He rubs his eyes, groans and sighs deep. When you offer him a cigarette, he waves it off. When you offer him a handkerchief to clean the rivers of perspiration running through the wrinkles on his forehead, he instead uses it blow his nose — then has the moxie to hand it back.

Lousy good for nothin’.

For a moment you consider reaching across the desk and bopping him square in the beezer. That would be stupid though — wouldn’t accomplish anything. Instead you opt to zip your gums and uncoil your meathooks. While it would be fun to put the old goat in his place, it isn’t worth your job and it sure as hell isn’t worth an unceremonious return to one of the flophouses downtown.

The Chief leans as far over your desk as he can before his belly impedes his progress. “We found two more this morning…both of them high priced girlies with gams for ages. He plugged ‘em both in the forehead, opened their chests like cans of sardines, pulled out their insides and tossed what was left in the dumpsters behind Rocco’s.”

Rocco’s? Yet another reason to stop waddling into Rocco’s at three in the morning, hopped up on goofballs and hungry for a tall stack of wheats. 

The Chief makes a fist and wallops your desk so hard you’d think it was his wife. “Find this son of a bitch! Do you hear me? When you find him, don’t you dare bring him in! The press is so far up my keyster on this one, I’m smearing them on my finger when I pick my nose!”

His eyes wide, his teeth clenchedb and his chest heaving like a doll on her back getting it all sorts of good, the old bull waits for a reaction after putting the period on his sentence.

You don’t give him one.

A second later the big lug is on his feet and heading for the door. Halfway there, he stops and turns again in your direction. “I want this egg boiled, peeled, and dropped in a Chicago overcoat by the end of the week. Got it?” 

After another puff of your cigarette, you nod. The Chief shakes his head and turns with a grunt. The fact that the seat of his britches is as soaked at the pits of his arms isn’t lost on you. 

You’ll need to burn the chair he was sitting on.

“There is one thing, Chief.”

The hotheaded old goon stops in the doorway. His back pops audibly when he turns toward you once more.

“Can’t do this one on my own. This jobbie’s playing with a full deck and I’ve got a hunch there’s a field full of dirty lettuce backing his operation. I’ll need some help.”

The Chief immediately knows exactly what “help” you’re talking aboutb and he’s immediately against the idea. “Oh no. No. No. No. You do this on your own. I don’t want those numbskulls anywhere near this case.”

You take another drag of your cigarette, lift your head and blow the smoke into the air. “You want this trouble-boy pinched? This is how he gets pinched. We need to take the direct route, Chief. No more fiddle-faddlin’ around the edge like a couple of crumb-bums betting on the bangtails.”

The Chief lowers his head and stares at his shoes over the mound of his gut. He knows you’re right. He knows you’re right and understands all too well it’s the only way. The aftermath of burger he swallowed down for lunch lurches up his windpipe and pops from his yap. You can smell half-digested onions from across the room.

“Fine. Do whatever you have to do. You bring those boys in and it’s on you. Got it? I’ve got nothing to do with this. If they drop the ball you’ll be dealing with the high-pillows, not me.”

When he leaves the room, he slams the door. 

Lousy good for nothin’.

Two minutes after that you’re on the horn with the only cats in town capable of finding the button man who’s been offing professional dames for the past month.

They offer to meet you at Rocco’s. You suggest Gino’s.

Thirty minutes later you stroll into Gino’s and spot your boys at the opposite end of the room. They’re in full gear — dressed to the nines in pinstripes and stars — afros reaching for the clouds.

They’re the best damn gumshoes the city has ever seen: Fred “Curly” Neal, Nat “Sweetwater” Clifton, George “Meadowlark” Lemon, “Sweet Lou” Dunbar and James “Twiggy” Sanders. They’re the Harlem Globetrotters, and there ain’t a jingle-brained jasper been born that can put one over on them.

While Meadowlark meets you with a smile and shakes your hand, Twiggy sneaks up behind you and pulls your trousers down. The regulars at Gino’s erupt into laughter.

Despite the Chief’s reservations, you know you’ve made the right choice.

You fill the boys in on the situation over a family style plate of Gino’s three-meat lasagna. Sweet Lou dives in for seconds before everyone has finished their firsts. You let it pass — only because it’s Sweet Lou.

When dinner’s done and Curly has licked his plate clean, you loosen your belt, let your lasagna-laden belly flop free, and ask the boys if they’re willing to help.

Sweetwater retrieves a basketball from under the table, spins it on his finger and transfers it to the tip of your fedora. As expected, the trick elicits a round of cheers from Gino and his loyal patrons.

With a smile and a wink, Sweetwater adds, “Does that answer your question?”

Honestly, you’re not exactly sure.

Before you can respond, the sound of some chickie screaming just outside the front door fills the air. Sweetwater’s ball still spinning on your noggin, you and the ‘Trotters are on your feet quicker than a con in a creep joint. By the time you make it to the street, the leggy broad with the impressive screambox is already dead. Her chest’s ripped open and her intestines have been pulled halfway down the block.

A crowd of onlookers is already beginning to swell. The dames are in tears and a few of the Brunos don’t look much better. The damn newsie-leeches are already on the scene, forcing their way into the swelling crowd and starting a ruckus.

Out of the corner of your eye you spot a tall drink of water in a dark trench darting into an alleyway on the opposite end of the street. You retrieve the heater from the holster on your hip.

Time to go to work.

A. Round up the 'Trotters and hunt down the man in the trench?


B. Leave the 'Trotters to deal with the newsies and the crowd, and go after the jacketed goon yourself?


C. Forget about everything and go back into Gino's for another plate of lasagna?